On March 14 a double-CD of the music from the ballet The Most Incredible Thing is released under the name Tennant/Lowe. It contains the full performance score of the ballet with orchestrations by Sven Helbig.
On March 17 the ballet The Most Incredible Thing has its first public performance at Sadler’s Wells Theatre in London. Its genesis can be traced back to a week in where, by chance, two initially unrelated events took place. Ivan Putrov, a principal dancer at the Royal Ballet whom the Pet Shop Boys had got to know through Sam Taylor-Wood, called Neil to ask whether they would write a piece for him to dance to. Two days later, before Neil had even had a chance to ask Chris, Chris called to say that he’d just read a story in a new translation of Hans Christian Andersen’s tales that he thought would make a great ballet: “The Most Incredible Thing”. This eventually led to the Sadler’s Wells production, choreographed by Javier de Frutos and starring Ivan Putrov, Clemmie Sveaas and Aaron Sillis. All ten performances sell out.
On May 27 the Pet Shop Boys appear at the Sunderland Stadium of Light, joining Take That at their invitation as “special guests” on their first reunion concerts as a five-piece on what will be the biggest British tour ever – 29 British stadium shows – followed by a short European leg. “45 minutes of intensity,” says Chris.
On December 31 the Pet Shop Boys appear at a New Year’s Eve concert on an island in Sydney Harbour.
On This Day
The Boys record new versions of 'My Night' and 'For All of Us.'
They work on two new tracks: 'Your Early Stuff' and 'The Out Crowd,' the latter of which will eventually become the song 'Hell.'
They listen to orchestral arrangement demos for their next album, Elysium. The singers of Sonos also add support vocals to 'Ego Music' and 'Breathing Space.'
Inspired by a speech on the subject of homophobia made at the beginning of the month by Irish drag artist Panti Bliss, Neil and Chris begin work on a new recording, 'Oppressive (The Best Gay Possible),' that sets excerpts from that speech to music.