On February 6 a new Pet Shop Boys album, Format, is released, a collection of b-sides and bonus tracks from the years 1996 to 2009. (As such, it is a sequel to Alternative.) Chris noticed the word that became its title on the side of a large industrial shed somewhere in Scandinavia; the album does, of course, gather together songs that were released on the various ever-changing single formats over these years. “If you compare it with Alternative, I think the quality is as high, if not higher sometimes,” says Neil.
On March 25 a revised version of the ballet The Most Incredible Thing begins its second run at Sadler’s Wells before two performances in Austria.
A previously unreleased Pet Shop Boys song, “Listening”, appears on the album Out Of My Hands, by the former A-ha singer Morten Harket, after they had been approached and asked to contribute to his record. “When we wrote it we didn’t think it was very Pet Shop Boys, although we liked it,” says Neil. “So we sent it to him.”
On June 6, a video for a new song, “Invisible”, appears on the official Pet Shop Boys website and many other websites. “We just wanted to surprise people with a new song that gives them a taste of our new album and a video which really illustrates the song,” says Neil. The video is by Los Angeles-based artist, Brian Bress and a version of it, with no sound, was originally shown at his show in a Los Angeles gallery earlier in the year.
On August 6, a new Pet Shop Boys single, “Winner” – a song written during Take That’s stadium tour the previous summer after Chris suggested that they wrote a mid-tempo anthem – is released. “It’s about being in something like the X-Factor or Eurovision song contest – coming from nowhere and finding yourself a winner and the crowd is all cheering,” explains Neil. “Part of me was also thinking about when we got to number one with “West End girls” and we were winners, and I was wondering whether it was going to last. And Chris saying at Top Of The Pops when we were number one: ‘Don’t look triumphant.’ It’s a transience-of-fame song, really. It’s also saying: it’s not where you’ve got to, it’s how you got there that counts. It’s the camaraderie that is the really enjoyable thing, rather than just the blatant success that probably isn’t going to last.” While in the studio in May to recording extra tracks for the “Winner” single, the Bee Gee Robin Gibb died and the Pet Shop Boys immediately recorded “I started a joke”, a song Gibb wrote when he was seventeen, as a tribute.
On August 12 the Pet Shop Boys appeared at the closing ceremony of the London Olympic games, performing “West End girls” in front of a global TV audience in pointy hats and costumes designed by Gareth Pugh as they were cycled around the Olympic stadium running track on chariots. “I think one could say it was unique, knowing that you were going to be seen everywhere in the world. We were only on for two minutes but it was a good two minutes. It was a great feeling standing there – we had little backrests so we could lean back and so we didn’t fall off.” This was the highpoint of a busy Olympic summer for the Pet Shop Boys. “West end girls” had already been played during the opening ceremony on July 27, as the Chinese athletes entered the stadium, and the following day the Pet Shop Boys had performed three songs at Wimbledon as part of the Olympic tennis tournament. Then on the morning of September 10 – after phone calls from the Mayor of London and the Prime Minister David Cameron – Neil and Chris interrupted their German album promotion and flew to London by private jet to perform “Winner”, “West End girls” and “Go West” at the athlete’s parade, live on three TV channels, surrounded by Britain’s celebrating Olympians and Paralympians: “The whole thing was quite exciting.”
On August 25, after several previous false finishes, the very final date of the Pandemonium tour takes place over three years after it began, at the Rått og Råde Festival in Stavanger, Norway. The night before Neil and Chris had played their first ever concert inside the Arctic circle at a festival in Tromsø.
On September 5 the Pet Shop Boys perform a one-off concert at Berlin Hebbel am Ufer 1, streamed live worldwide, to promote their forthcoming new album. Attendees received a special booklet and an exclusive seven-inch single featuring two mixes of “Winner”, one otherwise unavailable
On September 10, a new Pet Shop Boys album, Elysium, is released. It was recorded in Los Angeles earlier in the year and its title came late in the recording after a photo session in the Los Angeles park Elysian Fields. “All the connotations seemed to work for the album. But also particularly we were obsessed with the fact that this is our most beautiful album. It’s a very beautiful title and also seems to be relevant to the themes of the album: love, death, paradise. Even L.A., of course.” The album is produced with Andrew Dawson whose work the Pet Shop Boys first noticed on Kanye West’s album 808s and Heartbreak. “I think some people thought when we were going to Los Angeles to work with Andrew Dawson that we were going to record a hip hop album,” says Neil, “but it’s still very much a Pet Shop Boys album. It’s got a lot of depth, that’s what I think about it. It’s got a lot of truth. It’s really about negotiating life at our age.” The deluxe and vinyl versions also include instrumental versions of all of the songs.
On October 12, a new Pet Shop Boys single, “Leaving”, is released. “It’s looking at the old cliché of ‘love doesn’t die’, so familiar in pop songs, and looking at the death aspect of it. It’s comparing the idea of love not dying with the fact that when a person dies there’s a sense that they don’t really die because although they’re not physically present their memory is still present and therefore in a way they have a presence in your life. And so it concludes ‘I can still find some hope to believe in love’. I always think it’s about a man and a woman, and that the woman is leaving and the man doesn’t want her to leave, and he’s explaining why he doesn’t really believe that the relationship is over.”
On December 5 the Pet Shop Boys play a one-off concert at the BBC Media City in Salford, performing an eclectic selection of current and old songs accompanied by the BBC Philharmonic Orchestra. The concert, broadcast the following day on BBC Radio 2, features the premiere of one piece, “He dreamed of machines”, from their work-in-progress about the late British scientist, mathematician and code-breaker Alan Turing, A man from the future.
On December 31, a new Pet Shop Boys single, “Memory of the future”, is released in a version substantially remixed (the song has been both restructured and sped up) by Stuart Price and the Pet Shop Boys. “It’s a straightforward love song,” Neil explains. “You don’t get many from us,” Chris notes.
On This Day
An interview with Chris and Neil runs in the U.K. entertainment journal Biz.
The first of three consecutive nights' performances by the Pet Shop Boys at London's Wembley Arena. Derek Jarman observes tonight's show in preparation for filming it over the subsequent two nights. After the show he tells Neil he should tone down his makeup, which Jarman says makes him look like 'a sweaty panda.' Neil will take his advice.
'I Don't Know What You Want But I Can't Give It Any More' is released as a single.
The Pet Shop Boys perform at the famous Montreux Jazz Festival in Switzerland.
Having traveled to Israel for an upcoming concert and an appearance on the local edition of Pop Idol, the Boys take part in a press conference in Tel Aviv, during which they express their desire while there to get in a little tourism and relaxation.
Chris and Neil resume the U.K. dates of their summer tour with a performance at the Brighton Centre.
Neil goes record-shopping in Berlin this afternoon with Joel Gibb of the band Hidden Cameras, who lives there. They take a 'selfie' on the street that Neil posts two days later on the official PSB website.