On December 19 they appear onstage at the nightclub Two Too Much, performing two songs at the London stag night for Elton John and David Furnish: “It’s a sin” and “I will survive” — joined on the latter by Scissor Sisters’ singer Jake Shears. Later in the week they attend the couple’s wedding celebration.
On October 4, Chris’s birthday, the Pet Shop Boys receive the Inspiration Award at the Q awards, presented to them by Bernard Sumner. They are also joined on their table by Johnny Marr. As Bono walks through the crowd to receive a U2 award, he gives Neil a kiss.
On November 24 they perform live on the radio for the first time in the London studios of XFM, playing “Rent”, “Opportunities”, “Flamboyant” (for the first time) and “West End girls” (in its original Bobby O arrangement).
On November 11 the Pet Shop Boys perform at Wembley Arena as part of the Prince’s Trust concert Produced By Trevor Horn, featuring most of the notable artists Trevor Horn has worked with over the years, including The Buggles, Dollar, Yes, Grace Jones, Tatu, Seal and Frankie Goes To Hollywood. They play the two songs they recorded with Trevor Horn in the Eighties, “Left to my own devices” and “It’s alright”. Both songs also appear in their studio single versions on the double CD Produced By Trevor Horn.
Results, the album the Pet Shop Boys produced for Liza Minnelli in 1989, is re-released in a deluxe CD and DVD package, including remixes and videos.
On February 17 the Pet Shop Boys present New Order with the Godlike Genius Award at the NME Awards. (Neil’s part of the speech was 163 words long, Chris’s was two: “…New Order”.) In an earlier speech, Franz Ferdinand’s Alex Kapranos thanks “the great groups” who have inspired them, “some of whom are here today — Oasis, New Order, the Pet Shop Boys…”
On April 25 a double CD is released in the Back To Mine series with one CD of music chosen and sequenced by Chris, the other by Neil. Chris declares that his choices (mostly a mixture of eighties and contemporary songs, ranging from rare hi energy obscurities to Queen’s “The Show Must Go On”) are “for everybody who has been discriminated or dispossessed by society” and Neil explains his selections (from Elgar to Etienne Daho) as “a sequence of music that would be very, very late night and primary instrumental, and that tried to mix together electronic music, classic music and pop music in a sort of seamless way…it’d be quite good to seduce someone to”. (The only artist to appear on both discs is Dusty Springfield, with “I’d Rather Leave While I’m In Love” and “Goin’ Back” respectively).
Kylie Minogue’s latest tour, Showgirl, includes the duet which first appeared on Nightlife, “In denial”; during the shows she uses the original Pet Shop Boys arrangement and duetted with Neil’s previously-recorded voice.
At the Ivor Novello awards “West End girls” wins a vote of radio listeners as best song of the decade from 1985 to 1995, beating a shortlist of U2’s “I Still Haven’t Found What I’m Looking For”, Radiohead’s “Creep”, Massive Attack’s Unfinished Sympathy” and Robert Palmer’s “Addicted To Love”.
On March 29 “Flamboyant”, the other new song on PopArt, is released as a single, in a remixed version on which they worked with Narcotic Thrust’s Stuart Crichton. One of the single remixes is by The Scissor Sisters, commissioned in the earliest days of their growing celebrity after the Pet Shop Boys heard their version of Pink Floyd’s “Comfortably Numb” in a Hoxton nightclub. (Jake Shears later explains that he has tried to make this remix “like ‘Station To Station’ by David Bowie”.) Another mix is by DJ Hell who also does a new “West End girls” remix which he is allowed to semi-officially release himself as a one-sided twelve0inch single in Europe under the name Paid Show Boys.
The Boys perform at Constitution Hall in Washington, D.C.
They perform ‘Liberation’ on Top of the Pops. David Walliams and Matt Lucas—who would later gain fame in Little Britain and still later guest-star in the PSB video for ‘I’m with Stupid’—are in the audience.
The Originals, a triple-CD repackaging of three PSB albums (Please, Actually, and Behaviour), is released in Europe.
Chris and Neil work with Pete Gleadall on a possible single edit of ‘No Time for Tears.’ Afterward they visit the National Film Theatre, where they run into singer Will Young.
They finish work in the studio on the song ‘After the Event,’ which they had originally written roughly four years before during the Fundamental sessions. They now plan to use it as a bonus track on one of the singles from Yes.
The second staging at Sadler’s Wells Theatre in London of The Most Incredible Thing completes its two-week run. The production will now prepare to travel to Sankt Pölten, Austria for two performances there the following weekend.
Neil and Chris fly from London to the San Francisco Bay area in anticipation of their concert the following evening in Oakland.